robert heald gallery

Michael Harrison

The Closest Event Horizon

8.5.25 — 31.5.25

biography

previous exhibitions

Sunshine on Bones

1.6.23 — 24.6.23

Probability Wave

25.11.21 — 18.12.21

Ghost Particles

3.9.20 — 26.9.20

Teardrop Rays

24.8.19 — 21.9.19

Saturn Trine Pluto

9.8.18 — 1.9.18

The Compressive Arc

12.4.17 — 6.5.17

Memory Cells

16.7.15 — 8.8.15

Spring 1883

14.8.14 — 17.8.14

Search Friction

3.4.14 — 26.4.14

The Closest Event Horizon Installation View I — The Closest Event Horizon – Installation view

Fresh Air On Bare Skin 1996 – 2025 I — Fresh air on bare skin, 1996 – 2025, acrylic on paper, 29.7 x 21cm

Fresh Air On Bare Skin 1996 – 2025 Ii — Fresh air on bare skin, 1996 – 2025, acrylic on paper, 29.7 x 21cm

Onlooker 2000 – 2025 Ii — Onlooker, 2000 – 2025, acrylic on paper, 29.7 x 21cm

Quartet 2001 – 2025 Ii — Quartet, 2001 – 2025, acrylic on paper, 29.7 x 21cm

The Closest Event Horizon Installation View Ii — The Closest Event Horizon – Installation view

Blinded 2012 – 2025 Ii — Blinded, 2012 – 2025, acrylic and coloured pencil on paper, 29.7 x 21cm

Scorched 2013 – 2025 I — Scorched, 2013 – 2025, acrylic on paper, 21 x 14.8cm

Scorched 2013 – 2025 Ii — Scorched, 2013 – 2025, acrylic on paper, 21 x 14.8cm

Fractured 2013 – 2025 Ii — Fractured, 2013 – 2025, acrylic on paper, 29.7 x 21cm

Breaking Out 2019 – 2025 Ii — Breaking Out, 2019 – 2025, acrylic and coloured pencil on paper, 29.7 x 21cm

Windows And Mirrors 1997 – 2025 I — Windows and Mirrors, 1997 – 2025, acrylic and pencil on paper, 29.7 x 21cm

Windows And Mirrors 1997 – 2025 Ii — Windows and Mirrors, 1997 – 2025, acrylic and pencil on paper, 29.7 x 21cm

The Closest Event Horizon Installation View Iii — The Closest Event Horizon – Installation view

You Know What To Do 2001 – 2025 I — You know what to do, 2001 – 2025, acrylic on paper, 29.7 x 21cm

You Know What To Do 2001 – 2025 Ii — You know what to do, 2001 – 2025, acrylic on paper, 29.7 x 21cm

Morning Light 1995 – 2025 Ii — Morning Light, 1995 – 2025, acrylic and aquarelle on paper, 29.7 x 21cm

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Joanna Margaret Paul

White Days

8.5.25 — 31.5.25

biography

previous exhibitions

Bright colours falsely seen

24.8.24 — 21.9.24

An Inscrutable Language

1.9.22 — 24.9.22

A shape to part the space

28.11.19 — 21.12.19

Unity of habitation

19.1.17 — 11.2.17

Films 1972 – 1982

2.6.16 — 25.6.16

Photographs 1976 – 1985

3.10.13 — 26.10.13

White Days Installation View — White Days – Installation view

White Days Installation View I — White Days – Installation view

Marginalia N D — marginalia, n.d, oil pastel on paper, 29.7 x 21cm

French Farm 1979 — French Farm, 1979, oil pastel on paper, 31 x 22.5cm

Untitled N D I — Untitled, n.d, watercolour on paper, 33 x 16cm

White Days Installation View Ii — White Days – Installation view

Untitled N D Ii — Untitled, n.d, oil pastel on paper, 32 x 23.5cm

Untitled N D Iii — Untitled, n.d, colour pencil on paper, 29.7 x 21cm

White Days Installation View Iv — White Days – Installation view

White Days 1977 I — White Days, 1977, acrylic on paper, four parts, dimensions variable

White Days 1977 Ii — White Days, 1977, acrylic on paper, four parts, 56 x 39cm

White Days 1977 Iii — White Days, 1977, acrylic on paper, four parts, 38 x 58cm

White Days 1977 Iv — White Days, 1977, acrylic on paper, four parts, 37.5 x 37.5cm

White Days 1977 V — White Days, 1977, acrylic on paper, four parts, 19 x 37.5cm

White Days Installation View V — White Days – Installation view

Untitled N D Iv — Untitled, n.d, acrylic on paper, 30.5 x 22cm

Untitled N D V — Untitled, n.d, oil pastel and graphite on paper, 42 x 29cm

Untitled N D Vi — Untitled, n.d, oil pastel and graphite on paper, 20.5 x 29.5cm

Untitled N D Vii — Untitled, n.d, acrylic, colour pencil, and graphite on paper, 15 x 16cm

Plaited Stems 1996 — plaited stems, 1996, watercolour and graphite on paper, 28 x 10cm

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upcoming exhibitions

Brent Harris
5.6.25 – 28.6.25