No distance at all, 2023, five-channel digital video, silentWeekend, 2018 – 2021. Installation view, The Walters Prize 2021, Auckland Art Gallery Toi o TāmakiWeekend, 2018 – 2021. Installation view, The Walters Prize 2021, Auckland Art Gallery Toi o TāmakiDissolves, 2020, four-channel digital video from 16mm film (edition of 3), 4 min, silentPillows, 2020, three-channel digital video from 16mm film (edition of 3), 24 min / 27 min / 27 min, silent. Installation view, State of Motion 2020: Rushes of Time, SingaporeWeekend, 2018, 16mm film, four-channel moving image and mixed media. Installation view, The Dowse Art Museum, WellingtonInfinitesimals, 2016, three-channel video with sound (edition of 3), 7 min. Installation view, The Physics Room, ChristchurchDilutions (detail), 2016, corroded alloy of lead, tin and antimony, brass, display cases
No distance at all, 2023, five-channel digital video, silentWeekend, 2018 – 2021. Installation view, The Walters Prize 2021, Auckland Art Gallery Toi o TāmakiWeekend, 2018 – 2021. Installation view, The Walters Prize 2021, Auckland Art Gallery Toi o TāmakiDissolves, 2020, four-channel digital video from 16mm film (edition of 3), 4 min, silentPillows, 2020, three-channel digital video from 16mm film (edition of 3), 24 min / 27 min / 27 min, silent. Installation view, State of Motion 2020: Rushes of Time, SingaporeWeekend, 2018, 16mm film, four-channel moving image and mixed media. Installation view, The Dowse Art Museum, WellingtonInfinitesimals, 2016, three-channel video with sound (edition of 3), 7 min. Installation view, The Physics Room, ChristchurchDilutions (detail), 2016, corroded alloy of lead, tin and antimony, brass, display cases
